Painting

Homing Instincts

‘Homing Instincts’ This series of paintings ‘Homing Instincts’ investigate the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and feel part of as in your home – country!

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Homing Instincts

‘Homing Instincts’ This series of paintings ‘Homing Instincts’ investigate the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and feel part of as in your home – country!

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‘Take Me Up To Monto’.

‘Take Me Up To Monto’. 2009 (Exhibited – Public Gesture, The Lab, Dublin. 2009)     ‘Atmospheric Cube’, 2009. Acrylic on canvas, bolts, hinges. 2m x 2m x 2m. This work is primarily concerned with constructed environments where the viewer

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‘Take Me Up To Monto’.

‘Take Me Up To Monto’. 2009 (Exhibited – Public Gesture, The Lab, Dublin. 2009)     ‘Atmospheric Cube’, 2009. Acrylic on canvas, bolts, hinges. 2m x 2m x 2m. This work is primarily concerned with constructed environments where the viewer

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Participatory Painting – Kinder- Rotkreuztage im Stilwerf.

I presented a participatory painting project to an invited group of Children for the Wiener Rotes Kreuz through the Metropolitan Art Club on the 4/5/2012 at the Stilwerk, Vienna.                       

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Participatory Painting – Kinder- Rotkreuztage im Stilwerf.

I presented a participatory painting project to an invited group of Children for the Wiener Rotes Kreuz through the Metropolitan Art Club on the 4/5/2012 at the Stilwerk, Vienna.                       

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Atmospheric Cube

‘Atmospheric Space’ 2009 Creating an atmospheric space allows one investigate the possibilities that space can have, on our psyche and the possibility of how they could influence our thoughts. These altered spaces provides one with a demonstrative area that sets

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Atmospheric Cube

‘Atmospheric Space’ 2009 Creating an atmospheric space allows one investigate the possibilities that space can have, on our psyche and the possibility of how they could influence our thoughts. These altered spaces provides one with a demonstrative area that sets

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Cubed; Austrian Marks of Memory.

‘Cubed: Austrian Marks of Memory’ 2008. (Also – exhibited at Sculpture in Context 2008, National Botanic Gardens, Dublin, Invited Guest)                     The social contexts in which architecture and art interact and marks made in the work place are the main

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Cubed; Austrian Marks of Memory.

‘Cubed: Austrian Marks of Memory’ 2008. (Also – exhibited at Sculpture in Context 2008, National Botanic Gardens, Dublin, Invited Guest)                     The social contexts in which architecture and art interact and marks made in the work place are the main

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I Slept in Mexico

In 2007 I spent three weeks driving around and exploring the south of Mexico with my family. I documented with egg tempera on hand made Mexican paper (17cm x 18cm) some of my observations of this bright wonderful land. Here

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I Slept in Mexico

In 2007 I spent three weeks driving around and exploring the south of Mexico with my family. I documented with egg tempera on hand made Mexican paper (17cm x 18cm) some of my observations of this bright wonderful land. Here

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Big Bang

This series of paintings developed from the investigation of stones on a beach in the south of Dublin. I discovered that our eyes perceive minute detail subconsciously and only on detailed inspection can we become consciously aware of this. I

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Big Bang

This series of paintings developed from the investigation of stones on a beach in the south of Dublin. I discovered that our eyes perceive minute detail subconsciously and only on detailed inspection can we become consciously aware of this. I

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Syringe Paintings

This project was part of my first formal academic research and studies in art, for my ‘Certificate in Visual Education’ at the Institute of Art, Design and Technology (IADT), Dun Laoghaire, Co Dublin (2004). I investigated materials, fluidity and gestural

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Syringe Paintings

This project was part of my first formal academic research and studies in art, for my ‘Certificate in Visual Education’ at the Institute of Art, Design and Technology (IADT), Dun Laoghaire, Co Dublin (2004). I investigated materials, fluidity and gestural

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