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Abstract Painting 2023
Statement 2023 Taking a lead from the US Abstract Expressionists of the 40s and 50s, my painting facilitates a detachment from intentions and expectations. I strive to create art that allows the paint to reveal an unpredictable order, random patterns,
Abstract Painting 2023
Statement 2023 Taking a lead from the US Abstract Expressionists of the 40s and 50s, my painting facilitates a detachment from intentions and expectations. I strive to create art that allows the paint to reveal an unpredictable order, random patterns,
Designing The Urban Commons 2015
ENTRY #440 HOME DETAILS JURY SUBMIT GALLERY EVENTS CONTACT SOCIAL MATERIAL BANK by JAMES P. KINSELLA If we re-look at public space or the commons from the view point of having multiple entry points and as being nomadic in nature then we
Designing The Urban Commons 2015
ENTRY #440 HOME DETAILS JURY SUBMIT GALLERY EVENTS CONTACT SOCIAL MATERIAL BANK by JAMES P. KINSELLA If we re-look at public space or the commons from the view point of having multiple entry points and as being nomadic in nature then we
Art Olympia 2015, International Open Art Competition
James P Kinsella, ‘Hofbauergasse’, 2013, 26.5cmx19.5cm, acrylic on canvas. Artist Statement: My painting/screen print ‘Homing Instincts’ investigates the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and
Art Olympia 2015, International Open Art Competition
James P Kinsella, ‘Hofbauergasse’, 2013, 26.5cmx19.5cm, acrylic on canvas. Artist Statement: My painting/screen print ‘Homing Instincts’ investigates the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and
Installation
Elements of Exploitation Shortlisted for the National Art Competition (UK) 2010. This research began with an investigation as a visual artist, into the history of ‘Monto’ a notorious Red light district (in its prime in the 19th century) located in
Installation
Elements of Exploitation Shortlisted for the National Art Competition (UK) 2010. This research began with an investigation as a visual artist, into the history of ‘Monto’ a notorious Red light district (in its prime in the 19th century) located in