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Abstract Painting 2023

Statement 2023 Taking a lead from the US Abstract Expressionists of the 40s and 50s, my painting facilitates a detachment from intentions and expectations. I strive to create art that allows the paint to reveal an unpredictable order, random patterns,

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Abstract Painting 2023

Statement 2023 Taking a lead from the US Abstract Expressionists of the 40s and 50s, my painting facilitates a detachment from intentions and expectations. I strive to create art that allows the paint to reveal an unpredictable order, random patterns,

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Designing The Urban Commons 2015

ENTRY #440 HOME DETAILS JURY SUBMIT GALLERY EVENTS CONTACT SOCIAL MATERIAL BANK by JAMES P. KINSELLA If we re-look at public space or the commons from the view point of having multiple entry points and as being nomadic in nature then we

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Designing The Urban Commons 2015

ENTRY #440 HOME DETAILS JURY SUBMIT GALLERY EVENTS CONTACT SOCIAL MATERIAL BANK by JAMES P. KINSELLA If we re-look at public space or the commons from the view point of having multiple entry points and as being nomadic in nature then we

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Art Olympia 2015, International Open Art Competition

James P Kinsella, ‘Hofbauergasse’, 2013, 26.5cmx19.5cm, acrylic on canvas.   Artist Statement: My painting/screen print ‘Homing Instincts’ investigates the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and

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Art Olympia 2015, International Open Art Competition

James P Kinsella, ‘Hofbauergasse’, 2013, 26.5cmx19.5cm, acrylic on canvas.   Artist Statement: My painting/screen print ‘Homing Instincts’ investigates the complex concept of home – the geographical and psychological space we occupy and consider as our space, where we belong and

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Screenprints

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Screenprints

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Installation

Elements of Exploitation Shortlisted for the National Art Competition (UK) 2010. This research began with an investigation as a visual artist, into the history of ‘Monto’ a notorious Red light district (in its prime in the 19th century) located in

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Installation

Elements of Exploitation Shortlisted for the National Art Competition (UK) 2010. This research began with an investigation as a visual artist, into the history of ‘Monto’ a notorious Red light district (in its prime in the 19th century) located in

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